The history of the self is a flourishing field. Nevertheless, there are some problems that have proven difficult to overcome, mainly concerning teleology, the universality or particularity of the self and the gap between ideas and experiences of the self. In this article, I make two methodological suggestions to address these issues. First, I propose a ‘queering’ of the self, inspired by recent developments in the history of sexuality. By destabilizing the modern self and writing the histories of its different (...) and paradoxical aspects, we can better attend to continuities and discontinuities in the history of the self and break up the idea of a linear and unitary history. I distinguish 4 overlapping and intersecting axes along which discourses of the self present themselves: interiority and outer orientation; stability and flexibility; holism and fragmentation; and self-control and dispossession. Second, I propose studying 4 ‘practices of self’ through which the self is created, namely: techniques of self; self-talk; interpreting the self; and regulating practices. Analysing these practices allows one to go beyond debates about experience versus expression, and to recognize that expressions of self are never just expressions, but make up the self itself. (shrink)

We review some 30 years of academic research on corporate philanthropy, taking stock of the current state of research about this rising practice and identifying gaps and puzzles that deserve further investigation. To do so, we examine a total of 162 academic papers in the fields of management, economics, sociology, and public policy, and analyze their content in a systematic fashion. We distinguish four main lines of inquiry within the literature: the essence of corporate philanthropy, its different drivers, the (...) way it is organized, and its likely outcomes. After reviewing the main findings of the literature, we build on several research gaps to highlight directions for future research on corporate philanthropy with an interest in strengthening our understanding of this fascinating phenomenon at the crossroads of business and society. (shrink)

PREFACE: - BY his theory of relativity Albert Einstein has provoked a revolution of thought in physical science. The achievement consists essentially in this Einstein has succeeded in separating far more completely than hitherto the share of the observer and the share of external nature in the things we see happen. The perception of an object by an observer depends on his own situation and circumstances for example, distance will make it appear smaller and dimmer. We make allowance for this (...) almost unconsciously in interpreting what we see. But it now appears that the allowance made for the motion of the observer has hitherto been too crude a fact overlooked because in practice all observers share nearly the same motion, that of the earth. Physical space and time are found to be closely bound up with this motion of the observer and only an amorphous combination of the two is left inherent in the external world. When space and time are relegated to their proper source the observer the world of nature which remains appears strangely unfamiliar but it is in reality simplified, and the underlying unity of the principal phenomena is now clearly revealed. The deductions from this new outlook have, with one doubtful exception, been confirmed when tested by experiment. It is my aim to give an account of this work without intro ducing anything very technical in the way of mathematics, physics, or philosophy. The new view of space and time, so opposed to our habits of thought, must in any case demand unusual mental exercise. The results appear strange and the incongruity is not without a humorous side. For the first nine chapters the task is one of interpreting a clear-cut theory, accepted in all its essentials by a large and growing school of physicists although perhaps not everyone would accept the authors views of its meaning. Chapters x and xi deal with very recent advances, with regard to which opinion is more fluid. As for the last chapter, containing the authors specula tions on the meaning of nature, since it touches on the rudiments of a philosophical system, it is perhaps too sanguine to hope that it can ever be other than controversial. A non-mathematical presentation has necessary limitations and the reader who wishes to learn how certain exact result follow from Einsteins, or even Newtons, law of gravitation m bound to seek the reasons in a mathematical treatise. But thj limitation of range is perhaps less serious than the limitation of intrinsic truth. There is a relativity of truth, as there is a relativity of space. For is and IS-NOT though with Rule and Line And UP-AND-DOWK without, I could define, Alas It is not so simple. We abstract from the phenomena that which is peculiar to the position and motion of the observer but can we abstract that which is peculiar to the limited imagina tion of the human brain We think we can, but only in the symbolism of mathematics. As the language of a poet rings with a truth that eludes the clumsy explanations of his commentators, so the geometry of relativity in its perfect harmony expresses a truth of form and type in nature, which my bowdlerised version misses. But the mind is not content to leave scientific Truth in a dry husk of mathematical symbols, and demands that it shall be alloyed with familiar images. The mathematician, who handles x so lightly, may fairly be asked to state, not indeed the in scrutable meaning of a in nature, but the meaning which x conveys to him. Although primarily designed for readers without technical knowledge of the subject, it is hoped that the book may also appeal to those who have gone into the subject more deeply. A few notes have been added in the Appendix mainly to bridge the gap between this and more mathematical treatises, and to indicate the points of contact between the argument in the text and the parallel analytical investigation. It is impossible adequately to express my debt to con temporary literature and discussion... (shrink)

Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and (...) humanist discipline incapable of being reduced to scientific descriptions. Lydia Goehr's new introduction illustrates Danto's main arguments by questioning her very role, first, as an introducer of a book that has not yet been read by readers and, second, as an interpreter of a book written forty years ago. Frank Ankersmit's conclusion revisits the initial impact of the publication of _Narration and Knowledge_ and considers its enduring legacy. (shrink)

Mechanisms in a theory are defined here as bits of theory about entities at a different level (e.g., individuals) than the main entities being theorized about (e.g., groups), which serve to make the higher-level theory more supple, more accurate, or more general. The criterion for whether it is worthwhile to theorize at lower levels is whether it makes the theory at the higher levels better, not whether lower-level theorizing is philosophically necessary. The higher-level theory can be made better by (...) mechanisms known to be inadequate in the discipline dealing with the lower level. Conditions for the usefulness of lower-level theorizing are proposed, with many examples from various social and physical sciences. (shrink)

This book discusses and aims to clarify the issue of describing conduct and character as ‘good’ or ‘bad’, or as ‘right’ or ‘wrong’. The book states that one of the main factors that have made this issue obscure is the illusion of some anti-naturalists that purely logical considerations can settle it. It clearly defines the limitations of the discussions: it is not concerned with the ‘other things’ people use to define conduct and character. The book attempts to consider the (...) issue from the purely logician point of view and suggests to the naturalists and anti-naturalists how their positions may be freed from logical faults. The book also introduces the ‘logic of ethics’, which is not a special kind or branch of logic, but rather an application of it. (shrink)

Two main goals of the emerging field of neurocognitive poetics are the use of more natural and ecologically valid stimuli, tasks and contexts and providing methods and models allowing to quantify distinctive features of verbal materials used in such tasks and contexts and their effects on readers responses. A natural key element of poetic language, metaphor, still is understudied insofar as relatively little empirical research looked at literary or poetic metaphors. An exception is Katz et al.’s corpus of 204 (...) literary metaphors by authors such as Shakespeare or Dylan Thomas, for which various rating data are available. We reanalyzed their corpus using a combination of quantitative narrative analysis, latent semantic analysis, and machine learning in order to identify relevant features of the metaphors that influenced the ratings. The combined application of computational tools sheds light on surface and affective-semantic features that co-determine the reception of poetic metaphors and successfully predicted the period of origin, authorship and goodness ratings of the metaphors. The present results can be used for generating quantitative hypotheses or selecting and matching verbal stimuli in empirical studies of literature and neurocognitive poetics. (shrink)

Now in its third edition, _Narration and Knowledge_ is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events and discusses why such sentences cannot be understood until the later event happens. Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and (...) humanist discipline incapable of being reduced to scientific descriptions. Lydia Goehr's new introduction illustrates Danto's main arguments by questioning her very role, first, as an introducer of a book that has not yet been read by readers and, second, as an interpreter of a book written forty years ago. Frank Ankersmit's conclusion revisits the initial impact of the publication of _Narration and Knowledge_ and considers its enduring legacy. (shrink)

This book discusses and aims to clarify the issue of describing conduct and character as ‘good’ or ‘bad’, or as ‘right’ or ‘wrong’. The book states that one of the main factors that have made this issue obscure is the illusion of some anti-naturalists that purely logical considerations can settle it. It clearly defines the limitations of the discussions: it is not concerned with the ‘other things’ people use to define conduct and character. The book attempts to consider the (...) issue from the purely logician point of view and suggests to the naturalists and anti-naturalists how their positions may be freed from logical faults. The book also introduces the ‘logic of ethics’, which is not a special kind or branch of logic, but rather an application of it. (shrink)

In the present essay, I consider the relevance of evolutionary psychology (EP) for legal positivism, addressing the two main traditions in the legal positivist family: (1) the tradition I identify with the works of Hart and Kelsen and characterize as “normativist,” as it tries to describe law as a purely or, at least, as an essentially normative phenomenon, while remaining true to the ideal of scientific objectivity and value-neutrality; (2) the tradition I broadly refer to as “legal realism,” which (...) equates law with adjudication and “legal science” with the task of explaining judicial behaviour. (shrink)

A central theme of this book is that the main problems of philosophy and certainly the main traditional problems in the theory of knowledge, concern the space between language and the world. Professor Danto distinguishes between descriptive concepts, concerned with saying how the world is and semantic concepts, which have to do with the application of descriptions of the world. Failure to make these distinctions is responsible for a class of seemingly irresolvable disputes over the foundations of knowledge; (...) but when the distinction is appreciated, a plausible philosophical theory of what it is to know the world can be framed which is free from the standard scepticisms. (shrink)

Arthur Schopenhauer: Über die vierfache Wurzel des Satzes vom zureichenden Grunde. Eine philosophische Abhandlung Schopenhauers Dissertation lag im Oktober 1813 der Philosophischen Fakultät der Universität Jena vor. Erstdruck: Rudolstadt 1813. Wiedergegeben wird der Text der 2. verbesserten Auflage, Frankfurt am Main 1847, in den spätere Herausgeber allerdings Zusätze integrierten, die sie Schopenhauers Handexemplaren und Manuskriptbüchern entnahmen. Sofern sich diese Zusätze nicht in den laufenden Text einfügen ließen, wurden sie in Fußnoten beigefügt. Diese Fußnoten werden hier gesondert gezählt und (...) sind durch ein A gekennzeichnet. Vollständige Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2016. Textgrundlage ist die Ausgabe: Arthur Schopenhauer. Zürcher Ausgabe. Werke in zehn Bänden. Der Text folgt der historisch-kritischen Ausgabe von Arthur Hübscher. Die editorischen Materialien besorgte Angelika Hübscher. Redaktion von Claudia Schmölders, Fritz Senn und Gerd Haffmanns, Zürich: Diogenes, 1977. Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgeführt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Arthur Schopenhauer als junger Mann, porträtiert 1815 von Ludwig Sigismund Ruhl. Gesetzt aus der Minion Pro, 11 pt. (shrink)

Henry Habberley Price, who published as H. H. Price, was born in 1899. From 1935 to 1959 he was Wykeham Professor of Logic at Oxford University. Price was a major figure in his lifetime well-known especially for the “clarity and elegance of style”, which, according to Martha Kneale (1996: xix), make his works readable in spite of changing fashions in philosophy. Many people’s acquaintance nowadays with Price’s philosophical work derives from his being a target in Austin’s (1962) famous attack on (...) the sense-datum theory. This restricted acquaintance with his output is one reason that Price has been ignored in recent philosophy. -/- Mainstream philosophy neglected him after the Second World War, perhaps partly because, when articulating his ideas, he mainly engaged with philosophers of the past, such as Locke and Hume. His thought was, however, valued by fellow philosophers such as Broad, Moore, Ayer, and generations of his students at Oxford, including Sellars, Armstrong, and Anscombe. -/- Although Price is seen mainly as a philosopher of perception, only two of his six books are about perception and he had a major influence, also publishing many articles, on a variety of topics, including some we cannot focus on here, e.g., our evidence of other minds (1938; 1930b: 195) and psychical research (1940c; 1953b; 1972; 1995; an interest he claims to share with Neo-Platonists [1968a: 447]). We can only provide a sketch of his rich contributions. After briefly sketching his life (§1), we discuss his philosophy’s general features (§2), contributions to the studies of perception (§3), properties (§5.1), recognition (§5), belief (§6), religious belief (§6.8), his revival and serious study of Hume (§4), and some remarkable anticipations (§7). (shrink)

In one of the few widely discussed passages in the Doctrine of Right, Kant makes the surprising claim that a shipwrecked sailor who dislodges another from a plank that will support only one of them is "culpable, but not punishable." Many commentators regard this passage as a sort of smoking gun that shows that, in extremis, Kant resorts to the very sort of empirical and consequentialist reasoning that he claims to do without.2 My aim in this paper is to defend (...) his analysis, by showing both that it can be generalized, and that it provides a satisfying account of the normative boundary between justification and excuse in the criminal law. After explaining Kant ’s remark in light of the context in which he makes it, my main strategy of defense will be to show how it applies not only to the specific example Kant considers, but also to cases in which a person responds to danger by damaging property, and those in which a person whose own life is not in danger breaks the law to save the life of another. I will also use his account to illustrate the difficulties with the leading alternatives. (shrink)

Arthur Madigan presents a clear, accurate new translation of the third book of Aristotle's Metaphysics, together with two related chapters from the eleventh book. Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle sets out the main questions of metaphysics and assesses the main answers to them, and which serve as a useful introduction not just to Aristotle's own work on metaphysics but to classical metaphysics in general.

This article offers a genealogy of Jacques Derrida's philosophy of religion and the so-called ‘theological turn’ in deconstruction more generally. It is in three main parts. Firstly, it argues that it is possible to detect a problematic turn from what we might call a historical or material Derrida to an ethical Derrida that finds its logical culmination in the current theological turn within deconstruction. Secondly, the article contends that the later Derrida's adoption of a quasi-religious vocabulary risks producing an (...) increasingly transcendentalized version of his thought that effaces the historical content of deconstruction. Finally, the article considers the political implications of this passage from the material to the theological by focusing on Derrida's re-conceptualization of the messianic tradition. In conclusion, the article offers some speculative thoughts on what might follow the theological turn within deconstruction. (shrink)

Arthur Madigan presents a clear, accurate new translation of the third book of Aristotle's Metaphysics, together with two related chapters from the eleventh book. Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle sets out the main questions of metaphysics and assesses the main answers to them, and which serve as a useful introduction not just to Aristotle's own work on metaphysics but to classical metaphysics in general.

In lieu of an abstract, here is a brief excerpt of the content:Arthur A. Krentz DRAMATIC FORM AND PHILOSOPHICAL CONTENT IN PLATO'S DIALOGUES AN intriguing innovation in the history of philosophical discourse is Plato's employment ofdramatic dialogues as his deliberately chosen means ofcommunication. Throughout the history of philosophy scant attention has been focused on this feature of Plato's works. Recently, however, some students of Plato's writings contend that it is crucial for interpreters to give careful attention to the dialogue (...) form in order to reach an essential understanding of the philosophical content. Thus WernerJaeger, commenting in 1934 on the importance of the form of Aristotle's philosophical works, mentions as an aside that, "Even in the case of Plato, the importance of the form for the understanding of his particular thought has often been overlooked for long periods; departmental philosophers and students ofliterature in particular are always prone to consider it as something literary which had no material significance for Plato, in spite of the fact that it is unique in die history of philosophy. By now, however, most persons know mat the study of the development of the form ofhis writing is one of me main keys to a philosophical understanding of him." ' In spite ofJaeger's contention that most contemporary interpreters of Plato are aware of the significance of investigating the dramatic form for an understanding of a dialogue's content, a survey of the literature on Plato shows that interpreters often abandon such a concern in their own approach to his dialogues. For example, many interpreters treat dialogues as treatises, ignoring the dramatic features in order to concentrate on the examination of the logical, epistemológica!, ethical or other philosophical aspects of the argumentation in a single dialogue or group ofdialogues; as a result interpreters tend to separate the content from the form of Plato's works.2 The effect of this approach is one-sided, for, although such interpretations attempt to do justice to the arguments, they ignore the dramatic features of the dialogues and their bearing on an interpretation of die philosophical substance. Currently a growing number of interpreters of Plato in Europe and North America hold that a consideration of the form of Plato's dialogues is important 32 Arthur A. Krentz33 for an understanding oftheir content and philosophical message.3 1 am in agreement with this position and in this article I consider some reasons that may have led Plato to adopt dialogue as his medium of philosophical expression and attempt to show how attention to the dialogue form shapes the interpretation of their content. Unlike his philosophical predecessors who cast their writings in the form of extended poems, aphorisms, or treatises "On Nature," Plato wrote dramas. That the dramatic form ofhis writings is not incidental to his philosophical purposes becomes apparent as one considers how Plato presents philosophy in a fundamentally different way from that of his predecessors and successors who adopted the essay and treatise as the paradigm ofphilosophical communication. In a philosophical work such as a treatise, an author ordinarily attempts to state his own position on issues under discussion as clearly and as forcefully as possible. This, however, is not the primary aim of Plato's works, for certain features of his dramas indicate that he deliberately concealed his own views. Of special note in this regard is the fact that Plato never speaks on his own behalf in the discourses he creates. There is no character named "Plato" unequivocally declaring the author's own position.4 Instead a variety of interlocutors ask questions, investigate philosophical problems, and puzzle over solutions while Plato remains noticeably silent. This silence of Plato indicates that he did not regard the unequivocal presentation of his own views to be of paramount importance. If this had been his aim, Plato had only to write a dialogue which included himselfas one ofthe characters clearly stating his own position. Having engaged in many philosophical discussions with Socrates and with his own students, Plato could have written a dialogue based on such conversations. His not doing so is sufficient to show that he did not use his writings as a primary vehicle for transmitting his own position in his own words. Nor did Plato use... (shrink)

In the 1999 Galton Lecture for the annual conference of The Galton Institute, the author summarizes the main elements of Galtongenerals original and largely intuitive ideas, which still inspire mainstream scientific research on intelligence.

[ES] Este famoso ensayo de Arthur Danto, que se presenta aquí traducido al español, fue el primer desarrollo de su concepto de «mundo del arte» como un marco contextual que da sentido, por medio de sus usos teóricos-lingüísticos, a toda forma de arte reconocible en el mundo. Este concepto tendría una influencia enorme en todo el mundo, y fue la base de todo el pensamiento posterior de Danto acerca del arte, y su principal herramienta filosófica para vender en todas (...) partes la idea de que las obras de Andy Warhol no sólo eran legítimas obras de arte, sino incluso, obras importantes de arte. [EN] This famous essay by Arthur Danto, presented here entirely translated into Spanish, was the first development of his concept of “art world” as a contextual framework that gives meaning, through its theoretical-linguistic uses, to all forms of recognizable art in the world. This concept would have a huge influence around the world, and was the basis of all subsequent Danto’s thought about art, and his main philosophical tool to sell everywhere the idea that the works of Andy Warhol were not only legitimate works of art, but even important works of art. (shrink)

The Materialist who interests me is the one who identifies such things as thoughts with what he speaks of with a degree of grand unspecificity [[sic]] infuriating to the physiologist as "brain processes" or "brain-states." The casual vagueness with which he invokes the brain happens not to affect the logic of his position, and it will prove more useful than to confront him with a physiologist demanding details to face him instead with a philosophical opponent, even if we must resurrect (...) one for the purpose. Let us, then, summon an Idealist from the shadows. His view, expressed equally grosso modo, is that all brain-states are thoughts. As the "is" of either position is the one of identity, the positions sound at this stage dangerously like mere commutations of one another, so in order to forestall the ignominy of saying the same thing while meaning to sound different, the opponents make sly countermoves. The Materialist says that there are brain-states—or even more unspecifically, that there are "material objects"—which are not thoughts ; and the Idealist, that there are thoughts which are not brain-states. These detrivialize [[sic]] the contest, but they equally disguise the contest’s comical ambiguities. It will appear upon analysis of the main strategies of logical offense that these traditional antagonists have been addressing themselves to different matters all along, and are saying different but quite compatible things. My chief reason for exhuming the contest is to illuminate features of Materialism which hardly can be discerned in the context of current preoccupation with predicates and language-games. Allowing myself the privileges of gross discourse which I have accorded my contestants, I shall say: the Idealist has been speaking of the content of thought, the Materialist about thoughts themselves. Let us now aim for a fraction of precision. (shrink)

Arthur Madigan presents a clear, accurate new translation of the third book (Beta) of Aristotle's Metaphysics, together with two related chapters from the eleventh book (Kappa). Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle setsout what he takes to be the main problems of metaphysics or 'first philosophy' and assesses possible solutions to them; he takes his starting-point from the work of earlier philosophers, especially Plato and some of the Presocratics. These texts (...) serve as a useful introduction both to Aristotle's ownwork on metaphysics and to classical metaphysics in general; they are also a good example of Aristotle's dialectical method, which reasons not from known truths but from reputable opinions. (shrink)

Roman conflict with Parthia in the mid first century for control of Armenia and Domitius Corbulo's exploits in the East, culminating in the Parthian candidate for the throne, Tiridates, receiving his diadem from the hands of the Emperor Nero in Rome, have frequently been studied for what they reveal about military and diplomatic manoeuvres under the later Julio-Claudians. The historiographical investigation of our main source, Tacitus, particularly through comparison with the fragments of Cassius Dio, is also important for the (...) light this sheds on the Roman senator's methods. The intention of this paper is to draw attention to the complexity of Tacitus’ account by indicating his use of multiple and sometimes contradictory viewpoints in his narration of Caesennius Paetus’ unsuccessful Armenian campaign of a.d. 62–63 and to highlight an unrecognized echoing of his predecessor Livy by the historian. The examination of a text that is as elusive as it is allusive will require a careful study of what must have been a debated incident, but, as I hope to show, will give a broader insight into the historian's methods and, perhaps, wider intentions. I begin with an outline of historical events and the sources available to the historian. Next, I present a narratological examination of the text to show how differing viewpoints are highlighted within a contested storyline. I then show how this confusion may appear to be dispelled by a strong plot-line that borrows heavily from Livy, wherein the actions of an older, experienced general are contrasted with those of his subordinate. However, aspects of this account suggest that the tensions within the narrative are not resolved and that this has wider implications for our understanding of the historian and his work. (shrink)

Most discussions of Dewey's Logic evade what I take to be its main characteristic. This is its crass display of our intellectual activity as a going process—as living inquiry—literally, biologically, as life. It is the blunt, forthright treatment of even our most formal logical procedures as events occurring within that new world of knowledge that Darwin opened up and that Peirce sketched in his fallibilism, his pragmaticism, and his late-life efforts to attain a functional logic. Lacking are the trailing (...) clouds of logical and philosophical glory; present is only the bare body of inquiry. (shrink)

This paper presents a framework that editors, peer reviewers, and authors can use to identify and resolve efficiently disputes that arise during peer review in scientific journals. The framework is called a scientific dialectical brief. In this framework, differences among authors and reviewers are formatted into specific assertions and the support each party provides for its position. A literature review suggests that scientists use five main types of support; empirical data, reasoning, speculation, feelings, and status. It is suggested that (...) the scientific dialectical brief format can streamline the review process by facilitating rapid differentiation between stronger and weaker support, so that valuable time can be focused on the better-substantiated claims. The paper concludes with some suggestions for implementation. (shrink)

We summarize the known methods of producing a non-supercompact strongly compact cardinal and describe some new variants. Our Main Theorem shows how to apply these methods to many cardinals simultaneously and exactly control which cardinals are supercompact and which are only strongly compact in a forcing extension. Depending upon the method, the surviving non-supercompact strongly compact cardinals can be strong cardinals, have trivial Mitchell rank or even contain a club disjoint from the set of measurable cardinals. These results improve (...) and unify Theorems 1 and 2 of [5], due to the first author. (shrink)

In modern work on the Parmenides it is commonly supposed that in the First Part of the dialogue Plato's main concern is criticism of his own doctrine of Forms, or of some formulations of that doctrine, and that the criticisms have some sort of validity and are in some degree ‘damaging’ to the doctrine. It is thus often assumed that Plato's purpose is to make the reader ask himself, ‘Where is Plato wrong? Where is his doctrine of Forms, or (...) his statement of it, inadequate?’ This is no doubt due partly to the fact that no reply is offered to the criticisms, and partly to the fact that they are put into the mouth of Parmenides, for whom Plato had a very great respect. Nevertheless, Plato can hardly have had a greater respect for Parmenides than he had for Socrates; and therefore on general grounds it is at least as likely that he intends us to ask ourselves the question, ‘Where is Parmenides wrong, or inadequate?’ It is, of course, obvious that Socrates is represented as a young man, who, in his enthusiasm for a new doctrine which he has invented himself, has not thought out all the difficulties involved in it or prepared replies to all the possible criticisms. Yet again, on general principles it is not likely that Plato would have written a dialogue primarily to represent Parmenides' position as substantially more satisfactory than that of Socrates. It is therefore of the first importance not merely to have clearly in our minds the nature and purpose of the doctrine of Forms, but also to examine carefully the basis of the criticisms which Parmenides is made to bring against Socrates, and the methods by which Parmenides conducts his arguments. (shrink)

Arthur Madigan presents a clear, accurate new translation of the third book of Aristotle's Metaphysics, together with two related chapters from the eleventh book. Madigan's accompanying introduction and commentary give detailed guidance to these texts, in which Aristotle sets out what he takes to be the main problems of metaphysics or 'first philosophy' and assesses possible solutions to them; he takes his starting-point from the work of earlier philosophers, especially Plato and some of the Presocratics. These texts serve (...) as a useful introduction both to Aristotle's own work on metaphysics and to classical metaphysics in general; they are also a good example of Aristotle's dialectical method, which reasons not from known truths but from reputable opinions. (shrink)

The present study attempts to trace systematically the key doctrines of the 'Principles' viz. Berkeley's teaching on matter, existence, abstraction, body and mind from their main source in Continental scepticism through the 'Philosophical commentaries' to the beginning of the drafting of the published work in the late autumn of 1708.

This paper presents a framework that editors, peer reviewers, and authors can use to identify and resolve efficiently disputes that arise during peer review in scientific journals. The framework is called a scientific dialectical brief. In this framework, differences among authors and reviewers are formatted into specific assertions and the support each party provides for its position. A literature review suggests that scientists use five main types of support; empirical data, reasoning, speculation, feelings, and status. It is suggested that (...) the scientific dialectical brief format can streamline the review process by facilitating rapid differentiation between stronger and weaker support, so that valuable time can be focused on the better-substantiated claims. The paper concludes with some suggestions for implementation. (shrink)

In an essay recently published in this journal, Branden Fitelson argues that a variant of Miller’s argument for the language dependence of the accuracy of predictions can be applied to Joyce’s notion of accuracy of credences formulated in terms of scoring rules, resulting in a general potential problem for Joyce’s argument for probabilism. We argue that no relevant problem of the sort Fitelson supposes arises since his main theorem and his supporting arguments presuppose the validity of nonlinear transformations of (...) credence functions that Joyce’s theory, charitably construed, would identify as invalid on the basis of the principle of simple dominance. (shrink)

A conversation between the artist Mimmo Paladino, the philosopher and art critic Arthur C. Danto and the curator Demetrio Paparoni on topics such as beauty, icons, projectuality in art, history of art and its supposed end - the main thread being, obviously, Paladino’s entire corpus.

I once wrote to Imré Lakatos that if he had not already established himself as an accomplished philosopher and provocateur, he could have made a successful career as a Hollywood script writer. I had in mind, at that time, a beautifully written paper he had constructed by pasting together the cuttings from other papers. I had forgotten that his reputation as a dramatist was already established, with the production of his Proofs and Refutations [9]. For that work, it seems to (...) me, is simply a play within a play. The main character, whose part is written in the footnotes, delivers a monologue which is a commentary on the drama, between teacher and students, that occupies center stage. This main character is not named in the play, so for ease of reference I shall call him “Imré”. What Imré points out is that the drama on center stage imitates life, in showing us the essential features of the methodology by virtue of which mathematical science grows. (shrink)

Like most other subjects under discussion today, the theory of nature is largely controlled by considerations of knowledge. Treatment of it is, consequently, incidental to the treatment of these other problems, and is undertaken, in the main, because they compel it. A brief catalogue of characteristic statements about nature will illustrate this. “Nature,” says one writer, “is that which we observe in perception through the senses”; and another writes, “It is not experience which is experienced, but nature—stones, plants, animals, (...) diseases, health, temperature, electricity, and so on.” Nothing is more apparent in these sentences than the fact that it is not nature that the writers are so much concerned with, as with what it is that appears through the senses. The theory of nature, that is, is not so much guided by an analysis of the word's context and usage, as it is by the question: what is the proper object of knowledge? Consequently it is the latter question that is answered and not the question: what is nature? The reason for this is evident in the purpose of these statements and in their history; their purpose: the desire to do away with the separation between experience and nature, and to transform nature into a field familiar and accessible; and their history: the very framework against which they are directed, for they are embedded in the set-up from which they are trying to disentangle themselves. Perhaps something ought to be said to substantiate the thesis that the sentences cited are controlled by the problem of knowledge, especially since their intent seems to be to escape that problem. In any case, their history should serve to clarify them, and render a different approach to the theory of nature more significant. (shrink)

One of the greatest philosophers of the nineteenth century, Arthur Schopenhauer is best known for his writings on pessimism. In this 1851 collection of essays, he offers concise statements of the unifying principles of his thinking. Schopenhauer, unlike most philosophers, expressed himself in simple, direct terms. These essays offer an accessible approach to his main thesis, as stated in The World as Will and Representation. They include "On the Sufferings of the World," "On the Vanity of Existence," "On (...) Suicide," "Immortality: A Dialogue," "Further Psychological Observations," "On Education," "On Women," and On Noise," plus "A Few Parables.". (shrink)

John Passmore was a renowned Australian empirical philosopher and historian of ideas. In this book, which was originally published in 1952, Passmore's intention was to disentangle certain main themes in Hume's philosophy and to show how they relate to Hume's main philosophic purpose. Rather than offering a detailed commentary, the text provides an account based on specificity and critical scholarship, seeking to complement the other more comprehensive works on Hume's philosophy that had become available around the same time. (...) This book will be of value to anyone with an interest in perspectives on Hume and Passmore's philosophical approach. (shrink)

The aim of the My Character project was to develop a better understanding of how interventions designed to develop character might enhance moral formation and futuremindedness in young people. Futuremindedness can be defined as an individual’s capacity to set goals and make plans to achieve them. Establishing goals requires considerable moral reflection, and the achievement of worthwhile aims requires character traits such as courage and the capacity to delay gratification. The research team developed two new educational interventions – a website (...) and a hard-copy journal – with the specific aim of developing future-mindedness. After development, the website and journal were piloted over a one-year period by over 1,000 11–14 year olds in six schools across England. Various research methods, including group interviews and case studies, were implemented to assess impact. In addition, a pilot RCT was conducted to assess the feasibility of using experimental methods to measure character. The main findings from the research are that: - Students benefit from opportunities in school to think about future-mindedness; this can be successfully taught through character education. - Harnessing new technology, such as the Internet, offers exciting opportunities for character education. - It is beneficial to investigate the impact of new character education resources in order to bring greater clarity about ‘what works’. The most useful approach is a mixed methods one that allows for triangulation of evidence. - It is possible to run RCTs and other experimental research in schools to assess developmental projects of this kind, but applying the method in schools and creating suitable outcome measures present challenges for researchers. - A positive indicator of the success is that five out of the six pilot schools have embedded My Character into their curriculum. In addition, many new schools, both in Britain and internationally, have started to use the website and / or journal. This report describes the research, analyses the impact of My Character and concludes with recommendations for policy makers, practitioners and researchers embarking on similar projects. These recommendations include: i) advocating that schools create space in the curriculum to teach future-mindedness through character education; ii) enhancing traditional character education teaching methods with opportunities brought by Internet technologies; iii) evaluating character education interventions using triangulated evidence drawn from a mixture of research methods. (shrink)

To what extent should humans transfer, or abdicate, responsibility to computers? In this paper, I distinguish six different senses of responsible and then consider in which of these senses computers can, and in which they cannot, be said to be responsible for deciding various outcomes. I sort out and explore two different kinds of complaint against putting computers in greater control of our lives: (i) as finite and fallible human beings, there is a limit to how far we can acheive (...) increased reliability through complex devices of our own design; (ii) even when computers are more reliable than humans, certain tasks (e.g., selecting an appropriate gift for a friend, solving the daily crossword puzzle) are inappropriately performed by anyone (or anything) other than oneself. In critically evaluating these claims, I arrive at three main conclusions: (1) While we ought to correct for many of our shortcomings by availing ourselves of the computer''s larger memory, faster processing speed and greater stamina, we are limited by our own finiteness and fallibility (rather than by whatever limitations may be inherent in silicon and metal) in the ability to transcend our own unreliability. Moreover, if we rely on programmed computers to such an extent that we lose touch with the human experience and insight that formed the basis for their programming design, our fallibility is magnified rather than mitigated. (2) Autonomous moral agents can reasonably defer to greater expertise, whether human or cybernetic. But they cannot reasonably relinquish background-oversight responsibility. They must be prepared, at least periodically, to review whether the expertise to which they defer is indeed functioning as he/she/it was authorized to do, and to take steps to revoke that authority, if necessary. (3) Though outcomes matter, it can also matter how they are brought about, and by whom. Thus, reflecting on how much of our lives should be directed and implemented by computer may be another way of testing any thoroughly end-state or consequentialist conception of the good and decent life. To live with meaning and purpose, we need to actively engage our own faculties and empathetically connect up with, and resonate to, others. Thus there is some limit to how much of life can be appropriately lived by anyone (or anything) other than ourselves. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Power of “Pliant Stuff”: Fables and Frankness in Seventeenth-Century Dutch RepublicanismArthur WeststeijnIn the preface to his 1609 collection of classical fables entitled De sapientia veterum (On the Wisdom of the Ancients), Francis Bacon vindicated his choice for such a playful genre. Although the writing of fables might seem just an “exercise of pleasure for my own or my reader’s recreation,” Bacon stressed that that was not the case. (...) On the contrary, he argued that “beneath no small number of the fables of the ancient poets there lay from the very beginning a mystery and an allegory.” Therefore, he continued, through such fables, “as sacred relics and light airs breathing out of better times,” hidden meanings can be exposed and made understood to unskilled ears and eyes. Indeed, “the employment of parables as a method of teaching, whereby inventions that are new and abstruse and remote from vulgar opinions may find an easier passage to the understanding,” shows that the fable serves as a very appropriate expedient for instruction and persuasion, the higher goals of rhetoric beyond simple entertainment and delight.1 [End Page 1]Yet, for all these noble purposes, Bacon could not hide his unease with those aspects of the fable which seemed to escape his pen’s command. Embarrassed by the “levity and looseness with which people indulge their fancy in the matter of allegories,” he acknowledged himself to have trod slippery ground. As he asserted: “I know very well what pliant stuff fable is made of, how freely it will follow any way you please to draw it, and how easily with a little dexterity and discourse of wit meanings which it was never meant to bear may be plausibly put upon it.” For Bacon, this intrinsic ambivalence of the fable gave rise to discomfort, and from the start he sought to remove any potential misunderstandings about his intentions. However, not all seventeenth-century writers of fables shared his concerns. Instead, the very nature of the fable as “pliant stuff,” as a genre which necessarily conveys meanings in an ambiguous, suggestive, and indirect manner, made it a particularly useful rhetorical device for those who would not or could not articulate their opinions openly.This article shows that a number of seventeenth-century authors deliberately employed the fable for its political expediency as an opaque prism to diffuse unconventional ideas that could undermine authority. Central in this overview are the Dutch merchants and fervent republican theorists Johan and Pieter de la Court, the main representatives of the radicalization of Dutch republicanism in the decades following the Peace of Westphalia. While most mainstream republicans in the Netherlands emphasized the need of a monarchical figure, a Stadholder, in the ideally balanced republican regime, the brothers De la Court claimed that such a monarchical element would necessarily entail tyranny.2 Their writings employed two different types of fables to substantiate this fundamental claim: the first based on the political allegories of the Italian satirist Traiano Boccalini, the second following the Aesopian tradition as exemplified by the famous [End Page 2] Dutch poet and playwright Joost van den Vondel. Through an analysis of the rhetorical role of these fables, this article attempts to shed more light on the reasons why fables were used in seventeenth-century republican thought. It will argue that the literary aspects of the fable cannot be separated from its political function, a function that eventually can be characterized as highly paradoxical: not in spite but because of its openness to different readings, the fable involved a disguised rhetorical plea for frankness and liberty of speech.Rhetoric and Fables: The Standing of an Emblematic GenreIn classical antiquity, when authors such as Aesop and Phaedrus had created a distinct genre of allegorical tales, the use of such fables had been as much reproved as their particular rhetorical force had been recognized. According to Quintilian, fables should not be a part of the linguistic armory of the truly decent orator, for fables “are specially attractive to rude and uneducated minds, which are less suspicious than others in their receptions of fictions and, when pleased, readily agree with the arguments from which their pleasure is derived... (shrink)

According to philosophical naturalism, the main anti-naturalism in philosophy derives from Kant and depends on transcendental arguments, which are invalid or polemically toothless. Many of naturalism's characteristic features follow from this repudiation of Kantian method. Anti-naturalists should be aware that the rationale for naturalism depends on this attack on their own position. There remains for philosophy a distinctively philosophical role that depends on the indexical element in our thought, the role of elaborating a scientific worldview.

We distinguish scanning switches, which only enumerate states, from function switches which transform input states into output states. For the latter we introduce a logical network symbolism. Our history of early computer switching begins with the suggestions of Ramon Lull and Gottfried Leibniz, surveys the evolution of mechanical scanning switches and the first mechanical function switches, and then describes the first electromechanical function switches. The main themes of the present paper are that William S. Jevons built the first substantial (...) function switch (his logical piano), and that his work led to the design by Allan Marquand of the first substantial electromechanical function switch, as well as to Charles S. Peirce's idea for an electrical general-purpose programmable computer. These events all occurred fifty years before the first general-purpose programmable computers were constructed (in the 1940's), but they had no influence. (shrink)

We distinguish scanning switches, which only enumerate states, from function switches which transform input states into output states. For the latter we introduce a logical network symbolism. Our history of early computer switching begins with the suggestions of Ramon Lull and Gottfried Leibniz, surveys the evolution of mechanical scanning switches and the first mechanical function switches, and then describes the first electromechanical function switches. The main themes of the present paper are that William S. Jevons built the first substantial (...) function switch (his logical piano), and that his work led to the design by Allan Marquand of the first substantial electromechanical function switch, as well as to Charles S. Peirce's idea for an electrical general-purpose programmable computer. These events all occurred fifty years before the first general-purpose programmable computers were constructed (in the 1940's), but they had no influence. (shrink)

John Passmore was a renowned Australian empirical philosopher and historian of ideas. In this book, which was originally published in 1952, Passmore's intention was to disentangle certain main themes in Hume's philosophy and to show how they relate to Hume's main philosophic purpose. Rather than offering a detailed commentary, the text provides an account based on specificity and critical scholarship, seeking to complement the other more comprehensive works on Hume's philosophy that had become available around the same time. (...) This book will be of value to anyone with an interest in perspectives on Hume and Passmore's philosophical approach. (shrink)

In this article, I examine whether the concept of testimony can be used in order to clarify the epistemological value of literary fiction. It seems that it cannot: a testimony can be wrong while it makes no sense to say that a literary fiction can be wrong. However, in the wake of a hermeneutic philosophy, the fictional story has often been qualified as a testimony of an experience, even in cases which are not merely autobiographical. I try to unravel this (...) paradoxical connection between literary fiction and testimony. Starting from an examination of Kafka’s short story “Metamorphosis”, I intend to articulate the distinction between literary fiction and testimony, on the one hand and on the other, to understand the importance of the perspective of the witness in literary fiction. The main argument for both statements is given by an analysis of the visibility in literary fiction. (shrink)

John Passmore was a renowned Australian empirical philosopher and historian of ideas. In this book, which was originally published in 1952, Passmore's intention was to disentangle certain main themes in Hume's philosophy and to show how they relate to Hume's main philosophic purpose. Rather than offering a detailed commentary, the text provides an account based on specificity and critical scholarship, seeking to complement the other more comprehensive works on Hume's philosophy that had become available around the same time. (...) This book will be of value to anyone with an interest in perspectives on Hume and Passmore's philosophical approach. (shrink)

According to philosophical naturalism, the main anti-naturalism in philosophy derives from Kant and depends on transcendental arguments, which are invalid or polemically toothless. Many of naturalism's characteristic features follow from this repudiation of Kantian method. Anti-naturalists should be aware that the rationale for naturalism depends on this attack on their own position. There remains for philosophy a distinctively philosophical role that depends on the indexical element in our thought, the role of elaborating a scientific worldview.

This work intends to present the scope and limits of the human intellectual knowledge according to Saint Thomas Aquinas, mainly on the ground of questions 84 and 85 of the first part of his Theological Summa.O presente trabalho tem a intenção de apresentar o alcance e os limites do conhecimento intelectual humano de acordo com Tomás de Aquino, tendo como base sobretudo as questões 84 e 85 da primeira parte de sua Suma de Teologia.